Hello guys, Welcome to Africa's Largest Video Search Engine, and you are watching Fantastic Raag Nand | Budhaditya Mukherjee | Sitar & Tabla | Music of India. and this video is uploaded by darbarfestival at 2021-05-23T05:00:15-07:00. We are just promoting this video only for entertainment and educational purpose only. I hop you like our Video Search Engine. [FMJHfkbgRxo]
| Name | Fantastic Raag Nand | Budhaditya Mukherjee | Sitar & Tabla | Music of India |
| Video Uploader | Video From darbarfestival |
| Upload Date | This Video Uploaded At 23-05-2021 12:00:15 |
| Video Discription | #sitar #budhaditya #instrumental Pandit Budhaditya Mukherjee bends the rules of Indian classical music in his graceful way and with expertise in this performance, only to make it more delicious to an audience asking for more. In this concert from Darbar Festival in London, Pandit Mukherjee plays Raag Nand. Soumen Nandy offers a brilliant accompaniment, keeping in line with the refined phraseology of Pandit Mukherjee. Without making prolonged entries or exits, he deploys tukdas getting straight to the point and respectful of the melodic wholesomeness of the recital. Enjoy this music piece? You can WATCH THE FULL VIDEO HERE –https://bit.ly/3Aufh47 You can start your free no-obligation trial of the Darbar Player and watch the full performance today. Click here and sign up for a no obligation 3 trial and watch the full length version of this video now at - https://bit.ly/3Aufh47 - You can also get the Darbar App which will let you download content and watch later, this is great for when you are offline or travelling. Please join us and support Indian classical music and artists. Check out your app stores and search for the Darbar App today. You might be asking, why is Darbar giving me a free trial? We are passionate about Indian classical music and have the largest online archive of videos - we want everyone to experience the bliss of Indian classical music. This is one of those of things that can’t be put into words, this is something that must be experienced. Even if you decide to leave after this trial, that is perfectly fine. In closing, the best part of your membership is that you can feel 100% confident that you are supporting Indian classical music and musicians through a registered non-profit organisation. Click https://bit.ly/3Aufh47 to start your free no-obligation 3 day trial immediately. You are only one click away - transport yourself into the largest online archive of Indian classical music 😊 ______________________________________________________________ learn more about the music and artists Raag Nand is a derivative of the Kalyan thaat. It uses both teevra (sharp) and shudh (pure) Ma (4th) with rest of the notes being pure. Nand is also known as Anandi Kalyan. This raga was conceived in the earlier 20th century, some say by Mehboob Khan, who was the father-in-law of Faiyyaz Khan of the Agra gharana. I Pandit Budhaditya Mukherjee is one of the leading sitar players of India who has trained under his illustrious father, Late Pandit Bimalendu Mukherjee in the Imdadkhani gharana. Through the tonal clarity of his sitar, the depth of his alaap and the intricate taankari, Pandit Mukherjee has established time and again, his mastery over the instrument as well as his adherence to the strictly gayaki style (vocal music and its ornamentations) of the Imdadkhani gharana. He has a brilliant academic record – as a young student barely in his twenties, he secured a Gold Medal in Metallurgical Engineering. However, music had occupied the greater part of his heart; That Pandit Mukherjee had picked up the sitar instead of a job offer letter, is in itself an achievement of Indian classical music and the community as a whole Nandy has trained in the Farrukhabad style under Pandit Pankaj Chatterjee and then under Pandit Arup Chattopadhyay in Kolkata, India. The Farrukhabad school of tabla, being one of the oldest and the most prominent gharanas in north Indian classical music, dates back to the 11th century. -Pandit Budhaditya Mukherjee (sitar) -Soumen Nandy (tabla) ________________________________________________________________ Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity, we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK. All Rights Reserved ©2021 Darbar Arts Culture Heritage Trust [FMJHfkbgRxo] |
| Category | Music |
| Tags | Budhaditya Mukherjee | sitar | tabla | Budhaditya Mukherjee sitar | Indian classical instrumental | Indian classical instrumental music | Sitar music | Sitar and tabla | Raga | Raag | music of india | Indian Classical Music | indian classical music instrumental | traditional music of india | Darbar Festival | concert | Roopa Panesar | Niladri Kumar | Nishat Khan | Shahid Parvez | Ravi Shankar | Anouska Shankar | Nikhil Banerjee | Soumen Nandy | raag nand | nand | vilayat khan | ravi shankar sitar |
