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| Name | Joel & Ethan Coen - Shot | Reverse Shot |
| Video Uploader | Video From Every Frame a Painting |
| Upload Date | This Video Uploaded At 25-02-2016 16:33:41 |
| Video Discription | How do you film a conversation? Most likely, you’re going to block the actors, set up the camera, and do shot/reverse shot. But where do you put the camera? What lens do you use? And how do you cut back and forth? Today, I consider the Coen brothers — Joel & Ethan — and see how these choices lend a particular feel to their version of shot/reverse shot. For educational purposes only. You can donate to support the channel at Patreon: http://www.patreon.com/everyframeapainting This video was co-written with Taylor Ramos. Follow her on: Instagram: https://instagram.com/taylor.ramos/ Twitter: https://twitter.com/glassesattached And follow me here: Twitter: https://twitter.com/tonyszhou Facebook: https://www.facebook.com/everyframeap... Music: Carter Burwell - Way Out There (Raising Arizona) Carter Burwell - A Serious Man Oscar Isaac - Green Green Rocky Road (Inside Llewyn Davis) Carter Burwell - Little Blackie (True Grit) Carter Burwell - End Titles (Miller’s Crossing) Creedence Clearwater Revival - Run Through the Jungle Interview Clips: Cinematographer Style: https://vid.me/L5aW/cinematographer-s... Recommended Reading & Viewing: ASC Magazine on Bruno Delbonnel & Inside Llewyn Davis: http://bit.ly/1OxkCoP ASC Magazine’s profile of Roger Deakins: http://bit.ly/1TGUNKV Roger Deakins forum post on the lenses he uses: http://bit.ly/1KNKToa Help us caption & translate this video! http://amara.org/v/HuuZ/ [5UE3jz_O_EM] |
| Category | Education |
| Tags | video essay | film analysis | filmmaking | Coen brothers | Raising Arizona | Big Lebowski | Fargo | O Brother Where Art Thou | No Country for Old Men | Hudsucker Proxy | Miller’s Crossing | Barton Fink | True Grit | A Serious Man | Burn After Reading | Man Who Wasn’t There | Blood Simple | Inside Llewyn Davis | lens choice | editing rhythm |
