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| Name | Haydn: The Creation | Nederlands Kamerkoor, Concerto D’Amsterdam & Klaas Stock (2009) |
| Video Uploader | Video From DW Classical Music |
| Upload Date | This Video Uploaded At 12-03-2022 15:00:45 |
| Video Discription | Classical oratorio with cosmic views: Die Schöpfung (The Creation) by Joseph Haydn, here with the Netherlands Chamber Choir (Nederlands Kamerkoor) and the Concerto D’Amsterdam under the baton of Klaas Stok. The performance took place in the Concertgebouw Amsterdam, the Netherlands, on May 21, 2009. The special thing about this video is that the concert footage is combined with images from the Hubble telescope and paintings from Haydn’s time. Thus Haydn’s oratorio about the creation of the world becomes a fascinating concert experience with cosmic views. Johanette Zomer | SOPRANO Marcel Beekman | TENOR André Morsch | BARITONE Netherlands Chamber Choir Concerto d’Amsterdam Klaas Stok | CONDUCTOR Rob van den Berg | VIDEO DIRECTOR Leo Samama | VISUAL CONCEPT It is mere legend that Joseph Haydn (1732 - 1809) was inspired to write his oratorio The Creation (Hob. XXI:2) while looking through a telescope at the starry night sky. In fact, Haydn only took a look at the telescope of the musician and astronomer William Herschel (1738 - 1822) during one of his trips to England, but did not meet Herschel himself, let alone was he allowed to put his eye to the magnificent telescope to peer out into space. Nevertheless, his travels to England inspired him to compose The Creation: In England Haydn had heard the great oratorios of George Frideric Handel (1685 - 1759) and brought back with him the text poetry of a certain “Lidley” (nothing further is known about this author), in which the biblical story of creation and paradise (Genesis 1 & 2) and John Milton’s (1608 - 1674) epic poem Paradise Lost were combined into an oratorio text. Gottfried van Swieten translated this text into German for Haydn. Haydn wrote The Creation between 1796 and 1798, and is even said to have afterwards described the compositional work as a religious experience. Although private previews of The Creation in April 1798 had already been received with enthusiasm, Haydn made some corrections to the oratorio. The public premiere then took place in March 1799 at the old Burgtheater in Vienna and was a great success. To this day, Haydn’s The Creation is a beloved classic that frequently appears on concert programs. The three-part oratorio offers plenty of special features: Haydn had van Swieten’s German text retranslated into English and published the score of The Creation in two languages. It is considered the first bilingual composition ever. Haydn has the three archangels Gabriel (soprano), Uriel (tenor) and Raphael (baritones) narrate and at the same time comment on the material of the divine creation of the world in six days, which is significant in religious and cultural history. The six-day work is not completed by God’s seventh day of rest, as in the biblical template; rather, on the seventh day Haydn celebrates the happy coexistence of Adam and Eve in paradise before the Fall. One of the musical highlights of The Creation is the prelude, in which the idea of a primordial chaos is set to music. Haydn, whose compositions can actually be considered prime examples of “orderly” form, has ingeniously set a cosmic chaos to music in this introduction – and thus in turn put it into musical form. The most outstanding and famous passage in the entire oratorio, however, is that of the creation of light (07:57). At the words “und es ward Licht” (and there was light), a radiant C major bursts forth, like an elemental sound event, which has captivated every listener of The Creation to this day. If you listen to the abruptly sounding C major chord, it seems as if Haydn, while composing, had glimpsed the first spark of the big bang in the depths of space. Part I 00:00 The Representation of Chaos 09:01 Now vanish before the holy beams 12:33 And God made the firmament 14:31 The marv’lous work beholds amaz’d 16:34 And God said: Let the waters 17:18 Rolling in foaming billows 20:56 And God said: Let the earth bring forth grass 21:27 With verdure clad the fields appear 26:25 And the heavenly host proclaimed the third day 26:37 Awake the harp 28:39 And God said: Let there be lights 29:16 In splendor bright 32:08 The heavens are telling the glory of God Part II 36:01 And God said: Let the waters bring 36:34 On mighty pens 43:38 And God created great whales 45:40 And the angels struck 46:04 Most beautiful appear 50:13 The Lord is great 52:21 And God said: Let the earth bring forth 52:49 Strait opening her fertile womb 56:14 Now heav’n in fullest glory shone 59:26 And God created man 1:00:09 In native worth and honour 1:03:27 And God saw ev’ry thing 1:03:54 Achieved is the glorious work 1:05:19 On thee each living soul awaits 1:09:48 Achieved is the glorious work Part III 1:12:28 In rosy mantle appears 1:16:19 By thee with bliss 1:25:26 Our duty we performed now 1:27:47 Graceful consort 1:35:54 O happy pair 1:36:17 Sing the Lord ye voices all Subscribe to DW Classical Music: https://www.youtube.com/dwclassicalmusic #JosephHaydn #TheCreation #oratorio [EuIs7R2BpvQ] |
| Category | Music |
| Tags | DW | Deutsche Welle | DW Classical Music | classical music | Haydn | Joseph Haydn | Haydn Creation | haydn the creation | Haydn Schöpfung | Haydn Die Schöpfung | oratorio | haydn oratorio | Netherlands Chamber Choir | Nederlands Kamerkoor | Concerto D'Amsterdam | Klaas Stok | Concertgebouw Amsterdam | Johanette Zomer | Marcel Beekman | André Morsch | Rob van den Berg | Leo Samama | six-day work | hexaemeron | let there be light | haydn telescope | haydn creation of the world | story of creation |
