Hello guys, Welcome to Africa's Largest Video Search Engine, and you are watching Dexterous Desh | Soumik Datta | Raag Desh | Solo Sarod | Music of India. and this video is uploaded by darbarfestival at 2018-09-25T10:15:00-07:00. We are just promoting this video only for entertainment and educational purpose only. I hop you like our Video Search Engine. [Ix-BoQQDYkw]
| Name | Dexterous Desh | Soumik Datta | Raag Desh | Solo Sarod | Music of India |
| Video Uploader | Video From darbarfestival |
| Upload Date | This Video Uploaded At 25-09-2018 17:15:00 |
| Video Discription | #darbarfestival | Soumik describes himself as ‘a slave to the instrument’. Here he takes a break from his frequent collaborations, returning to his classical roots for a solo rendition of Desh. ► Join our newsletter at http://www.darbar.org/newsletter for the finest in Indian classical music and dance, and watch full length exclusive concerts in pristine HD on the Darbar Player: http://www.darbar.org/darbarplayer --------------------------------------------------------------------- Learn more about the music: Soumik Datta is a sarodi from the younger generation. He trained under the late maestro Buddhadev Das Gupta, flying to Kolkata for periods of intense study during his holidays from boarding school in the UK. Today he plays a vast range of styles - jazz, Indo-blues, drum’n’bass, and many more. But he always returns to his classical roots, performing traditional Hindustani music around the world to increasing acclaim. Rumour has it that he once turned down the chance to tour with Beyonce. Hear more of Soumik here: -Durga | https://www.youtube.com/watch?v=t1g1HvwhgTs Desh is intended for the second quarter of the night, with a form that lends itself to melodic sweetness. It is an audav-sampurna raga, ascending with five notes (SRmPN) and descending with seven (SnDPmGRS). Like ragas such as Miyan ki Malhar and Piloo, it ascends with a shuddha [natural] Ni, which becomes komal [flattened] in the descent. Re and Pa are the vadi and samvadi [king and queen notes], although musicologists disagree on which should be the stronger. Sitarist-scholar Deepak Raja also notes that “the chalan permits a judicious touch of the illicit komal Ga in the Taar Saptak [high octave]”. It is structurally similar to Carnatic Raga Kedaragaula, although in recent times has also been accepted into Carnatic music in its own right. Looser forms are popular in thumri [devotional song forms], and the raga’s name was even used as the title for an intensely patriotic 2017 military film. Recorded at Darbar in April 2018 at the Southbank Centre’s Purcell Room: -Soumik Datta (sarod) Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK. All Rights Reserved ©2019 Darbar Arts Culture Heritage Trust [Ix-BoQQDYkw] |
| Category | Music |
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