Hello guys, Welcome to Africa's Largest Video Search Engine, and you are watching [Sheet music] Johannes Matthias Sperger (1750-1812) - Sonata ex A per il Clavicembalo. and this video is uploaded by Johann Michael Haydn (1737-1806) at 2022-03-25T03:00:01-07:00. We are just promoting this video only for entertainment and educational purpose only. I hop you like our Video Search Engine. [3h89oIME86k]
| Name | [Sheet music] Johannes Matthias Sperger (1750-1812) - Sonata ex A per il Clavicembalo |
| Video Uploader | Video From Johann Michael Haydn (1737-1806) |
| Upload Date | This Video Uploaded At 25-03-2022 10:00:01 |
| Video Discription | . Consider to support this project on https://ko-fi.com/michaelhaydn ★ WORLD PREMIERE RECORDINGS ★ ♫ Recovery project of sheet music by Johann Michael Haydn (1737-1806) and by other neglected composers ♫ Composer: Johannes Matthias Sperger (1750-1812) Work: Sonata ex A per il Clavicembalo Software: Sibelius + Instruments samples World Premiere: Yes Sonata ex A per il Clavicembalo 1. Allegro vivace 0:05 2. Rondo allegro 5:54 Sheet music (pdf): https://s9.imslp.org/files/imglnks/usimg/2/2e/IMSLP521272-PMLP844068-Sperger_Klaviersonaten.pdf Sheet music (xml): https://www.mediafire.com/file/wl5pl4mtsc2gp3z/SPERGER-Sonata.xml/file Info about sheet music recovering project: https://i.ibb.co/hML4xyJ/HAYDN-M-3.jpg --- Johannes Matthias Sperger (Feldsberg [now Valtice], 23 March 1750 - Ludwigslust, 13 May 1812) German double bass player and composer. He apparently received his earliest musical training from the Feldsberg organist Franz Anton Becker. Several copies in Sperger's hand of theoretical works survive, and contrapuntal exercises in the Schwerin Wissenschaftliche Allgemeinbibliothek testify to his studies under Albrechtsberger in Vienna. He is said to have made his début as a composer there at the age of 18, and a symphony and a double bass concerto of his were performed by the Tonkünstler-Societät in 1778. As one of the leading double bass players of the day, Sperger saw service in several important court musical establishments, first in that of Cardinal von Batthyani at Pressburg (1777-83), then (1783-86) with the Counts von Erdődy at Fidisch, Burgenland. A supposed period in the service of Prince Esterhazy under Haydn is not documented. Following the death of Count Ladislav Erdődy, Sperger returned to Vienna, but apparently without employment, and he had to make a living as a copyist. In the search for a position Sperger undertook several extended journeys (between December 1787 and June 1788 he went to Prague, Berlin, Ludwigslust, Ansbach and Passau, and from March to June 1789 to Parma, Trieste and Bologna). In July 1789 he took up an appointment to the Duke of Mecklenburg at Ludwigslust, where he remained for the rest of his life, though he made several journeys and guest appearances as a player and composer in Lübeck, Berlin, Leipzig and Vienna. An important biographical source is Sperger's Catalog über verschückte Musicalien (D-SWl Mus.3065), containing details of many of his major compositions – many of them sent to members of the nobility from whom he sought employment. Sperger's reputation as a leading double bass player is generously acknowledged by critical writing of the time; his achievements as an executant were generally accorded more significance than his prolific output as a composer. The obituary notice in the Allgemeine musikalische Zeitung (xiv, 1812, col.432) is typical: "The orchestra loses in him one of its most distinguished members in that he displayed a rare mastery and purpose on his instrument, knowing how to impart character to the performance as a whole. Apart from these distinctions as an outstanding ripienist, Sperger also performed concertos on the double bass, composed by himself, as well as a number of symphonies, all of which, being in an attractive style and imposing no burdens for their performance, should be suitable for amateur concerts." The Schwerin manuscripts of Sperger's symphonies and parthias often reveal exceptional skill and delight in instrumentation, especially in the extensive use of obbligato and concertante soloists and of groups of wind instruments. In this respect several of the symphonies may be said to belong to the popular sinfonia concertante literature of the period. His concertos for double bass were both innovatory and technically demanding for the soloist. Sperger's authority was felt for several generations after his death, influencing particularly Capuzzi and Dragonetti. [3h89oIME86k] |
| Category | Music |
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