Hello guys, Welcome to Africa's Largest Video Search Engine, and you are watching Philippine Folk dance: Kuratsa. and this video is uploaded by Sam Maravilla at 2007-07-13T23:13:26-07:00. We are just promoting this video only for entertainment and educational purpose only. I hop you like our Video Search Engine. [_Ig24-dYruA]
| Name | Philippine Folk dance: Kuratsa |
| Video Uploader | Video From Sam Maravilla |
| Upload Date | This Video Uploaded At 14-07-2007 06:13:26 |
| Video Discription | (Version on the video is the popular Kuratsa Binisaya from Tacloban Leyte' found on the book Philippine Folk Dances V.1 by Francisa Reyes-Aquino but the music used is the Kuratsa Bago (from Bago City, Negros Occidental, notation foun in the "Visayan Folk Dances V1" by Libertad Fajardo) The Kuratsa is highly favored by the Visayan people especially the Waray people of the Eastern Visayan region in the Philippines. Strictly speaking, only one couple dance it at a time. Believed to be a Mexican import (supposedly from La Cucaracha dance typical to Monterrey region of Mexico)- the Kuratsa is however, very different in the manner of execution than the Mexican counterpart. Even the "basic" Kuratsa music is not based on Mexican or even Spanish melodies. Philippine dance researchers, however, point either to the "Kigal" and the "Bikal" as the 'ascendant' of the Kuratsa. The Kigal (spelled "Quigal" in early Spanish writings on Samar culture and lifeways) is a sort battle-of-sexes couple dance that imitate mating birds. The Kigal is in fact called by another name: Binanug or Kiglun (Kigalun?) that's according to a 17th century Samarnon dictionary by Jesuit missionary to Samar, Fr. Alcazar. It is interesting that Banug uis the Waray word for the hawk. The Bikal is rather believed to be the fore runner of the Waray Balitaw because of the strict emphasis on "joust" of impromptu songs interspersed with dancing. The bikal is survived by the Ismaylingay and many versions of this art is preserved by aging "magsiriday" in Samar and to a lesser extent Leyte. The Kigal dance step called 'sabay' is in fact very similar to the Kuratsa dance step called 'dagit' or when more daring the 'sagparak'. Dagit means swoop while sagparak is descriptive of a heated 'bulang' (cockfight). The block and chase portion of the Kuratsa (called 'palanat') is never seen in the Mexican social dance La Cucaracha but is very common among Samar 'amenudo' (or couple dances) like the Ismaylingay, Amoracion, Alimukon, Kuradang and Pantomina. Popular versions of this dance exist in Samar can be classified as the Kuratsa Menor (the usual favorite) and the many versions of the daring Kuratsa Mayor. New genres of Kuratsa evolved as a result of necessity, like-as the name implies- Kuratsa kanan Kadam-an and a very funny Kuratsa nga Pinayungan appropriate for rainy days. KURATSA (Tacloban, Leyte) Introduction. Partners join inside hands, free hands down at the sides. Starting with the R foot, take three steps forward (cts 1,2,3). Put feet together and bow to partner or audience (ct 1).....[2M] Dancers separate about six feet apart. The last two counts of the music are not played until the partners are in their proper places. Watch out for my upcoming videos of the following dances: Tinikling Itik-itik Kuratsa Samarnon Lugkat Lukay An Marol Surtido Samareño Ismayling (Amoracion/Amoral) An Lubi An Lab-asero Costurera Maramyon (Leyte version) Paspe Ginabato Pantomina de Samar Salampati Ti Yadut Lavezares Jota han Kalipay La Jota Samareña Kuradang An Ulitawo Bagol Kadang Ingkoy-ingkoy (Samar version) Pastores (Samar version) Estudiantina (Capul version) Mazurka Capuleña Panderetas (Tanza, Ilo-ilo version) Engañosa (Pandangyado Mayor) Pandangyado Cariñosa (Samar) Pandagyado Buraweño Pag-aring (Basey, Samar) Jota Paloana (La Jota Navarra) Paso Doble (Parañaque version) Polka Tagala Culebra (Bulacan) Jota Cabangan Jota Rizal Jota Ibanag Chotis Dingreña (Ilocano) Sangkayao Pangkilad Flaggey Libon (T'boli) Madal Tahu Karal Kafi (Bilaan) Ati-ati sa Bukid (Cuyo, Palawan) Bendayan (Tchunggas) Kadal Onuk (T'boli Bird Dance) Karatong (excerpt) Inday na Kunday (Southern Leyte) Likod-likod Gapus-gapusay Man-manok Sohten (Subanen) Khinlesung Pangalitawo Madrileña Takiling Minandagit Inahaw Dugso Siring Sarungkay Balisangkad Tugatak Dagit-dagit Jota Moncadeña Surtido Boronganon Tachok Chalijok Ballangbang Karasaguyon Polka Lapis Apoc Pangalay Paunjalay Silong sa Ganding Kandalamat sa Gandingan Ipat (Demo) Maong a Lalong Palu-palo Pawakan (Sabong) Pinanyuwan Buhay sa Bukid Pakkong Buling-buling Pandacan Tacon y Punta Danza Telipe [_Ig24-dYruA] |
| Category | People & Blogs |
| Tags | Samar | Leyte | Folk | dance | Waray | Money | Curacha | Menor | Mayor | Eastern | Visayas | Evolution | of | Dance |
