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| Name | aa neele gagan tale pyar hum karen _Lata_HemantKumar_Hasrat_SJ_ Paradise is always where love dwells |
| Video Uploader | Video From mastkalandr |
| Upload Date | This Video Uploaded At 18-04-2012 18:39:33 |
| Video Discription | Song - aa neele gagan tale pyaar ham karen..enjoy the fragrance love and passion.. Movie - Badshah (1954) Singers - Lata Mangeshkar,Hemant Kumar Lyricist - Hasrat Jaipuri, Music Director - Shankar ,Jaikishan Cast : Mala Sinha,Pradeep Kumar,Usha Kiran, K N Singh,Aaga,Ulhas,Achla Sachdev,Hari Shivdasani, Director Amiya Chakrabarty. Production Co: Mars & Movies, Theme -Action family drama LYRICS :- aa neele gagan tale pyaar ham karen hil mil ke pyaar ka iqaraar ham karen aa neele ... ye shaam ki bela ye madhur mast nazaare baithe rahen ham yuunheen baahon ke sahaare vo din na aaye intazaar ham karen a neele gagan ... do jaan hain ham aise mile ek hi ho jaayen dhuundha kare duniya hamein ham pyaar mein kho jaayen bechain bahaaron ko gulazaar ham karen aa neele gagan tale ... tu maang ka sinduur tu aankhon ka hai kaajal le baandh le haathon ke kinaare se ye aanchal saamane baithe raho shrringaar ham karen aa neele gagan tale ... Film: Badshah,1954 Storyline... Taking inspiration from Victor Hugo’s immortal tale “The Hunchback of Notre Dame”, Amiya Chakrabarty gives another interesting and purposeful picture in “Badshah”. As adapted from the Hugo classic, “Badshah” is a vigorous tale of love and lust, passion and devotion, beauty and ugliness, tyranny and revolt—emotions and expressions which are the same all over the world and the only setting they need is a human heart and a community of humans. Love is love in any language and among any people and tyranny is tyranny whether the tyrants be French or Indians. Hugo’s French classic, therefore, looks no strange tale in its Indian adaptation as far as human emotions are concerned. THE ETERNAL CONFLICT Proving that there can be found lustrous beauty of character in a most lowly and ugly man and that a most exalted man can be a hideous symbol of degradation, the picture shows an imaginary theocratic state ruled by Dharmraj, a pious ruler proud of his power, austere in his life, rigid in his justice, and despotic in his rule and who is feared and worshipped by his subjects only a little less than God. Dharmraj occasionally addressed his people from his balcony but on one such occasion when he comes to his balcony to cast his usual spell on the people, he has a spell cast on himself by an attractive and youthful gypsy girl, Gulabi, who dances on the occasion to please the ruler and his assembled people. As he gets his first glance of Gulabi, Dharmraj finds his piety and austerity falling to pieces before the suddenly excited desire to possess her. Though devoted to celibacy, Dharmraj cannot resist his desire and quietly orders his slave called Badshah to kidnap Gulabi at night and bring her to him. Badshah, a hunchback slave, is an unfortunate human being horribly ugly in the face and deformed in shape who lives a miserable, cringing existence of a slave limping about on Dharmraj’s orders and tolling the huge bell atop the tall sanctum of Dharmraj. SLAVE WITH A CONSCIENCE Though afraid of his conscience Badshah is more afraid of Dharmraj and so he reluctantly goes to kidnap Gulabi at night. But while trying to kidnap her Badshah is arrested by Bhaskar, the young captain of the guards, and brought before Dharmraj for justice. To impress the people with his justice Dharmraj coolly and cruelly lets his own crime be foisted on Badshah and orders his public flogging. Badshah silently suffers for his master but his suffering turns into a sweet memory when the same Gulabi whom he had tried to kidnap brings him water as he groans in agony under the whipping and sun’s heat. From that moment Badshah begins to cherish a deep gratitude and a quiet love for Gulabi. Gulabi, however, loses her heart to her savior Bhaskar and after a few meetings Bhaskar also begins to love her intensely, though he was already engaged to Malti....contd VICTIM OF LUST In the intervening time Dharmraj unsuccessfully tries to lure her into yielding before him and exposes before her the devil in himself. After spurning and humiliating Dharmraj, Gulabi is locked up with a demented woman who turns out to be her long-lost mother. Gulabi escapes her fatal punishment at least temporarily when Badshah, remembering his silent love and gratitude for her, decides to revolt against Dharmraj and snatches Gulabi away right from the scene of her execution. He gives her sanctuary in the temple where Dharmraj’s evil arm could not reach. Badshah gets her food and clothes but he cannot get her Bhaskar because Bhaskar had decided to forget Gulabi. Relentless Dharmraj schemes again and tricks Gulabi out of her sanctuary when she is re-arrested and marched to the execution post. Bad-shah tries to stop the execution by shouting Dharmraj’s crimes but he fails and Gulabi loses her life. The furious Badshah chases Dharmraj and closes an evil chapter by killing him. The end sees Badshah lumbering along with Gulabi’s corpse in his arms as the wedding procession of Bhaskar and Malti passes by. [WnOFZw8wElg] |
| Category | People & Blogs |
| Tags | Badshah | 1954 | Lata Mangeshkar | Hemant Kumar | Hasrat Jaipuri | Shankar Jaikishan | Mala Sinha | Pradeep Kumar | Usha Kiran | K N Singh | Aaga | Ulhas | Achla Sachdev | Amiya Chakrabarty | best of shankar jaikishan | best of lata | best of hemant kumar | best love duets | best of lata and hemant kumar | mastkalandr | hindi old is gold | indian songs | old gold | hindi oldies | bollywood lodies | bollywood songs |
