Rajini comedy scene | tamil comedy | rajanikanth tamil comedy [4bcSB3_lTMY]
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Rajini comedy scene | tamil comedy | rajanikanth tamil comedy |
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Shivaji Rao Gaekwad (born 12 December 1950), known by his mononymous stage name Rajinikanth, is an Indian film actor who works primarily in Tamil cinema. He began acting in plays while working in the Bangalore Transport Service as a bus conductor. In 1973, he joined the Madras Film Institute to pursue a diploma in acting. Following his debut in K. Balachander's Tamil drama Apoorva Raagangal (1975), his acting career commenced with a brief phase of portraying antagonistic characters in Tamil films. After establishing himself as a lead actor in a number of commercially successful films, he began to be referred to as a "superstar" and has since continued to hold a matinée idol status in the popular culture of Tamil Nadu.[1] His mannerisms and stylised delivery of dialogue in films contribute to his mass popularity and appeal.[1]
After earning ₹26 crore (equivalent to ₹55 crore or US$8.2 million in 2016) for his role in Sivaji (2007), he was the highest paid actor in Asia after Jackie Chan at the time. While working in other regional film industries of India, Rajinikanth has also appeared in the cinemas of other nations, including that of the United States. As of 2014, Rajinikanth has won six Tamil Nadu State Film Awards—four Best Actor Awards and two Special Awards for Best Actor—and a Filmfare Best Tamil Actor Award. In addition to acting, he has also worked as a producer and screenwriter. Apart from his film career, he is also a philanthropist, spiritualist, and serves as an influence in Dravidian politics.
The Government of India has honoured him with the Padma Bhushan in 2000 and the Padma Vibhushan in 2016 for his contributions to the arts. At the 45th International Film Festival of India (2014), he was conferred with the "Centenary Award for Indian Film Personality of the Year"
Rajinikanth began his film career through the Tamil film Apoorva Raagangal (1975).[19] Balachander gave Rajinikanth a relatively small role as an abusive husband of Srividya.[19][20][21] The film was controversial upon release as it explored relationships between people with wide age differences.[22] However, it received wide critical acclaim as it went on to win three National Film Awards including the award for the Best Tamil Feature at the following year ceremony.[23] A review from The Hindu noted that, "Newcomer Rajinikanth is dignified and impressive".[24] He followed that with Katha Sangama (1976), an experimental film made by Puttanna Kanagal in the new wave style.[25] The film was a portmanteau of three short stories had Rajinikanth playing a small character in the last segment where he appears as a village ruffian who rapes a blind woman in the absence of her husband.[26] His next release was Anthuleni Katha, a Telugu film directed by Balachander.[26] A remake of his own Tamil film Aval Oru Thodar Kathai (1974), had Rajinikanth playing a pivotal role for the first time in his career.[26] In the subsequent films, he continued to perform a series of negative roles mostly as a womaniser. In Moondru Mudichu—the first film to feature him in a prominent role—he plays a character that "blithely row[s] away" when his friend drowns accidentally into the lake only to fulfill his desire to marry the former's girlfriend.[27] His style of flipping the cigarette made him popular among the audience.[28] His final release of the year Baalu Jenu, yet again saw him performing a role which troubles the female lead.[26] He followed that with similar roles in Avargal,[29] and 16 Vayadhinile.[26][30] In 1977, he accepted his first-ever lead role in the Telugu film Chilakamma Cheppindi.[31] Though Rajinikanth always refers to K. Balachander as his mentor,[32] it was S. P. Muthuraman who revamped his image.[33] Muthuraman first experimented with him in a positive role in Bhuvana Oru Kelvikkuri (1977), as a failed lover in the first half of the film and a protagonist in the second half.[33] The success of the film brought the duo together for 24 more films till the 1990s.[33] The year saw Rajinikanth playing supporting roles in majority of the films with few of them being "villainous".[27] In Gayathri he was cast as pornographer who secretly films his relationship with his wife without the knowledge of her, while in Galate Samsara he played the role of a married man who develops an affair with a cabaret dancer.[34] All in all, he had 15 of his films released during the year, much higher than the previous years
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