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Austin Burke
Tomatometer-approved critic
Movies reviews only
| Rating | T-Meter | Title | Year | Review |
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Hit Man (2023) |
Not only is Hit Man lighthearted and often hilarious, but Linklater has a clear understanding of how to keep viewers on their toes while staying true to the genre at hand. - Austin Burke/Flick Fan Nation
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| Posted Jun 07, 2024
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Bad Boys: Ride or Die (2024) |
Ride or Die is a blast. Mike and Marcus have some interesting personal drama in this entry that continues to expand upon their relationship as well as the fantastic chemistry between the two. Adil and Bilall are perfect for this franchise. - Austin Burke/Flick Fan Nation
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| Posted Jun 07, 2024
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Under Paris (2024) |
This story is just so uninteresting, but when the shark chaos is prominent in the final act, some may find entertainment. - Austin Burke/Flick Fan Nation
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| Posted Jun 06, 2024
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In A Violent Nature (2024) |
This presents a unique idea and delivers some spectacularly creative kills. The camera angles and cinematography keep it somewhat fresh, but the repetitive nature of this idea feels like a bit of a chore to get through by the end. - Austin Burke/Flick Fan Nation
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| Posted May 31, 2024
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Atlas (2024) |
Atlas fails to stand out or captivate, even with its emotional touch towards the end. This interesting concept quickly becomes generic and inevitably goes nowhere. - Austin Burke/Flick Fan Nation
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| Posted May 25, 2024
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Furiosa: A Mad Max Saga (2024) |
This is the high-octane action-adventure that fans of this franchise were hoping for. It doesn’t quite have the visual grittiness of its predecessor, but the stunt work and color correction make for a spectacle. You must witness this one in theaters. - Austin Burke/Flick Fan Nation
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| Posted May 25, 2024
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The Garfield Movie (2024) |
Kids will have a good time. The over-stuffed plot features plenty of heists and explosions, but Garfield gets lost in the madness. - Austin Burke/Flick Fan Nation
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| Posted May 22, 2024
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IF (2024) |
IF features a few delightful scenes, highlighted by Cailey Fleming, and an ending that works well. Unfortunately, this story lacks the creativity and imagination that the premise promises. - Austin Burke/Flick Fan Nation
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| Posted May 18, 2024
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I Saw the TV Glow (2024) |
The often mesmerizing visual style reflects the tone, while exploring the connection that some have with certain forms of escapism. That said, the story often feels as if it isn’t going anywhere, and it ultimately never clicks. - Austin Burke/Flick Fan Nation
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| Posted May 18, 2024
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The Last Stop in Yuma County (2023) |
This is a tense and methodically-paced thriller. As simple as its premise is, the chaos that ensues when least expected makes for a surprisingly gripping experience, and these characters are built up beautifully. - Austin Burke/Flick Fan Nation
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| Posted May 17, 2024
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Unfrosted (2024) |
Unfrosted just feels like one massive missed opportunity from start to finish. Jerry Seinfeld occasionally injects a bit of life into this stale satire, but any interesting moment is immediately followed by an unfunny gag. - Austin Burke/Flick Fan Nation
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| Posted May 12, 2024
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Kingdom of the Planet of the Apes (2024) |
Kingdom is yet another magnificent sequel. While it takes a bit to get going, the payoff feels earned, and the finale is insanely entertaining. This is a visual feast for the eyes. - Austin Burke/Flick Fan Nation
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| Posted May 12, 2024
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The Fall Guy (2024) |
Gosling and Blunt are having a blast, but the plot itself is a bit of a mess. Colt’s journey never hooked me, and the humor is inconsistent. From an action standpoint, it thrives and provides every ounce of fun expected from David Leitch. - Austin Burke/Flick Fan Nation
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| Posted May 02, 2024
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Challengers (2024) |
There is so much style in every frame. Each performance is layered, with just the right amount sex appeal, while telling this true story in the most interesting way possible. It is in the conversation for movie of the year. - Austin Burke/Flick Fan Nation
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| Posted May 02, 2024
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Rebel Moon: Part Two - The Scargiver (2024) |
It has a bit more to offer than the first in terms of action and style, but the writing remains its weakness. It lacks the urgency and depth required to deliver on any sort of payoff. - Austin Burke/Flick Fan Nation
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| Posted Apr 20, 2024
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The Ministry of Ungentlemanly Warfare (2024) |
Ungentlemanly Warfare features two entertaining and often hilarious performances from Cavill and Ritchson. While their characters lack much depth, they make the most of their screen-time. The film is a blast when the action is at the forefront. - Austin Burke/Flick Fan Nation
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| Posted Apr 20, 2024
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Abigail (2024) |
Once Abigail gets going, it makes for a slick and gore-filled good time. It takes a handful of tired tropes and manages to flip most of them on their head, while veering into conventional territory towards the end. Alisha Weir is our MVP. - Austin Burke/Flick Fan Nation
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| Posted Apr 20, 2024
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Damsel (2024) |
Damsel features an excellent lead performance from Millie Bobby Brown and a few entertaining sequences in the third act, but it is unable to overcome bland and familiar execution. - Austin Burke/Flick Fan Nation
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| Posted Apr 12, 2024
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Love Lies Bleeding (2024) |
There is an incredible amount of craft on display here. The energy that Rose Glass injects into this gritty noir makes for an exhilarating story that occasionally tries to do too much. - Austin Burke/Flick Fan Nation
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| Posted Apr 12, 2024
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Road House (2024) |
Gyllenhaal brings a rush of adrenaline every time he is on screen. The film is bigger, self-aware, and occasionally funny, but it lacks the charm of the original. - Austin Burke/Flick Fan Nation
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| Posted Apr 12, 2024
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Late Night with the Devil (2023) |
Late Night with the Devil is so ridiculously creative from start to finish. The unnerving buildup throughout this talk show setting is handled so meticulously, and it features one of the most satisfying endings of the year. - Austin Burke/Flick Fan Nation
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| Posted Apr 12, 2024
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Ghostbusters: Frozen Empire (2024) |
Fans will have some fun, but there are too many subplots for this story to thrive as intended. It spreads itself so thin, and the lack of focus is distracting. - Austin Burke/Flick Fan Nation
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| Posted Apr 12, 2024
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Winnie the Pooh: Blood and Honey II (2024) |
While it is unable to overcome certain issues that carry over from the first, this sequel exceeds the original in almost every way. Even with script issues, It heavily leans into the fun slasher side of it all. - Austin Burke/Flick Fan Nation
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| Posted Apr 12, 2024
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Godzilla x Kong: The New Empire (2024) |
This is a massive Saturday morning cartoon, featuring big monster battles, exciting team-ups, and plenty of epic moments. That being said, the plot lacks cohesion, and most of the main human subplot is messy. - Austin Burke/Flick Fan Nation
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| Posted Apr 12, 2024
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Monkey Man (2024) |
Monkey Man has a distinct and unique style that elevates almost every action-heavy sequence. Once the story finds its footing, which admittedly takes a few scenes, there is no turning back. - Austin Burke/Flick Fan Nation
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| Posted Apr 12, 2024
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Civil War (2024) |
Garland’s decision-making and ability to craft striking imagery is on point. The horror of this hypothetical situation is on full display, but it’s the quiet moments that hit the hardest. - Austin Burke/Flick Fan Nation
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| Posted Apr 12, 2024
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Megamind vs. the Doom Syndicate (2024) |
The first had so much going for it, and this absolutely demolishes any momentum. - Austin Burke/Flick Fan Nation
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| Posted Mar 07, 2024
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Spaceman (2024) |
Featuring a great performance from Sandler, Spaceman packs an emotional punch but isn’t able to overcome familiarity. Dano is a highlight, as his voice is haunting yet comforting. - Austin Burke/Flick Fan Nation
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| Posted Mar 07, 2024
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Dune: Part Two (2024) |
Part Two surpasses the first in almost every way. It is a technical masterpiece, as expected, but even the writing is a step up. It left me with this beautiful feeling that I had just experienced something truly special. - Austin Burke/Flick Fan Nation
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| Posted Feb 21, 2024
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Lisa Frankenstein (2024) |
Lisa Frankenstein is another great showcase of Kathryn Newton’s ability to take over a film. This strange gothic tale is one that struggles with its humor and pacing, yet there is a distinct charm that is hard to deny. - Austin Burke/Flick Fan Nation
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| Posted Feb 16, 2024
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Madame Web (2024) |
The cast is this film’s only redemption, but even they can’t salvage a dreadfully bland script. Beyond the writing, there are pacing and editing issues for days. - Austin Burke/Flick Fan Nation
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| Posted Feb 16, 2024
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Lift (2024) |
Lift features a stacked cast, yet the script fails to make anyone memorable. - Austin Burke/Flick Fan Nation
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| Posted Feb 05, 2024
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Argylle (2024) |
Argylle is a lot. Matthew Vaughn thrives when focusing on these insane yet beautifully shot action sequences, but this specific story is all over the place. The biggest twists are obvious, and certain characters are wasted. - Austin Burke/Flick Fan Nation
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| Posted Feb 05, 2024
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Night Swim (2024) |
Night Swim offers up a brilliant concept, yet the execution leaves a lot to be desired. This material is taken too seriously, and there is little to offer from a character standpoint. - Austin Burke/Flick Fan Nation
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| Posted Jan 12, 2024
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Ferrari (2023) |
While it features some of the most enthralling sequences of the year, Ferrari struggles to balance its various story points throughout. Our leads are great, but there are one or two moments where the visual effects feel distracting. - Austin Burke/Flick Fan Nation
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| Posted Jan 12, 2024
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Rebel Moon: Part One - A Child of Fire (2023) |
Part One fails to captivate the through its admittedly impressive visuals, as the story feels like recycled ideas that never quite come together. There is plenty of potential here, but it can’t overcome a lackluster script. - Austin Burke/Flick Fan Nation
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| Posted Jan 12, 2024
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Maestro (2023) |
This is a visually stunning biopic that allows our leads to showcase some phenomenal chemistry. Cooper is excellent, and Mulligan is a scene-stealer. Unfortunately, the film has an identity crisis that keeps it from reaching its true potential - Austin Burke/Flick Fan Nation
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| Posted Jan 12, 2024
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Poor Things (2023) |
It is the most authentic film of the year. The atmosphere, production design, and score are all incredible. Stone gives the best performance of her career, and this world is fascinating. - Austin Burke/Flick Fan Nation
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| Posted Jan 12, 2024
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The Iron Claw (2023) |
The Iron Claw features Zac Efron’s best performance yet. This shocking true story hits hard. What begins as a familiar family drama morphs into a powerful look at emotional abuse and how far someone can be pushed. - Austin Burke/Flick Fan Nation
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| Posted Jan 12, 2024
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Aquaman and the Lost Kingdom (2023) |
The Lost Kingdom struggles to provide much substance with its style. The highlight is the chemistry between our two former foes. There are opportunities to lean more into the emotional stakes, but the script never commits. - Austin Burke/Flick Fan Nation
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| Posted Jan 12, 2024
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Society of the Snow (2023) |
This is a heartbreaking yet uplifting true story that is conveyed in an intensely gripping way. There are moments where viewers will feel every ounce of despair, and this massive mountain range provides a stunning yet horrifying backdrop. - Austin Burke/Flick Fan Nation
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| Posted Jan 12, 2024
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The Beekeeper (2024) |
The Beekeeper is the right vehicle for Jason Statham to do Jason Statham things. It will serve as an action fix for many, even if the story is paper thin. - Austin Burke/Flick Fan Nation
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| Posted Jan 12, 2024
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Leave the World Behind (2023) |
There is a lot to be desired with its resolution, but the ensemble is excellent, and there is a haunting atmosphere that will leave many unnerved. - Austin Burke/Flick Fan Nation
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| Posted Dec 08, 2023
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The Holdovers (2023) |
The Holdovers delivers in every way. It is a genuine and heart-warming story with complex characters. Paul Giamatti gives his most memorable performance to date, and this is arguably Payne’s best work.
- Austin Burke/Flick Fan Nation
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| Posted Dec 08, 2023
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The Shift (2023) |
The Shift works when the focus is on Kevin’s drive and what pushes him through the darkness. The genre elements feel familiar, and there is too much happening, but the humanity is there. - Austin Burke/Flick Fan Nation
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| Posted Dec 08, 2023
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Wonka (2023) |
Wonka is a quirky and colorful musical featuring more than a few moments that will have fans smiling from ear to ear. It is so much fun and full of life. - Austin Burke/Flick Fan Nation
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| Posted Dec 04, 2023
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Next Goal Wins (2023) |
Next Goal Wins is rushed in almost every way ... While sweet at times, it doesn't have that laugh-out-loud moment that Taika often brings to the table. - Austin Burke/Flick Fan Nation
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| Posted Dec 04, 2023
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Dicks: The Musical (2023) |
Our leads are good, but Dicks: The Musical misses on its attempt at humor through music. - Austin Burke/Flick Fan Nation
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| Posted Dec 04, 2023
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Trolls Band Together (2023) |
Fans will love the music, but the story falls short, and the character-growth is lackluster. - Austin Burke/Flick Fan Nation
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| Posted Dec 04, 2023
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Dream Scenario (2023) |
It has more to say than anticipated, and while the message doesn’t feel fully explored, there is an originality to this concept that remains intriguing throughout. The way it seamlessly shifts between genres is impressive. - Austin Burke/Flick Fan Nation
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| Posted Dec 04, 2023
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